Does everyone remember how cool Glee looked when the pilot episode aired? I do. I was so excited to see someone actually pull off a musical TV show that I couldn't wait for the full season later that year. Unfortunately it seems that after three seasons the writers have grown so used to coasting on the coolness of the first season that they've completely checked out. Now keep in mind that I know nothing about how writing a TV show works, but here is how I visualize the meeting where they hash things out:
***
Writer 1: So we've tossed around some ideas, and our Controversy Of The Week for this show will be [eating disorders/spousal abuse/teen pregnancy/teen marriage/secondary characters who wish they were Rachel Barry]. Or we could just scrap that and do something about being gay; I really don't think our audience understands our stance on that yet!
Writer 2: Wow that will be so incredibly original and hard-hitting! How about this week the person who deals with the controversy is [insert name of secondary character].
Writer 3: Great! I love it when we focus on one of them for one show and then shove them to the back for the rest of the season! After all, their Controversy Of The Week was resolved in a single episode even though it was an enormous, life-altering issue, so we don't need to hear from that character for a while!
Writer 1: We are amazing! Also, I think we've left Quinn alone too long; she's only been through three radical and arbitrary personality changes so far this season. And let's end a very important relationship on the show with an empty cliche. How about "you need to do this alone so you can grow" (even though we were about to get married). Let's toss "if it's meant to be it will happen" in there too!
All the other writers: Brilliant!
Writer 2: Let's not forget to emphasize that it's every single Midwesterner's dream to move to New York or L.A. because we are so much better than them! Also don't forget to put in a scene where we point out that people from Ohio are universally shocked and disturbed by homosexuality, even though we are blatantly ignoring the fact that Columbus has one of the largest LGBT populations in the nation!
Other writers: Our wit is astounding!
Writer 4 (speaks up from the Corner of Shame): Um, so, I was thinking about maybe... a plot for the next episode?
(Other writers stare him down in silent disdain until he huddles back into his corner)
Writer 1: Hurry, someone make a list of songs that relates to our Controversy Of The Week in only the most abstract way possible! Writer 4, you write Sue Silvester's weekly one-liner which will be the only really funny part of the entire show.
Etc...
***
I've gone through phases of watching and not watching the show, but I always stopped watching before because I was put off by something they did that I found distasteful. Now I'm put off by how bad the writing is, which is much more likely to turn me off to it permanently. And has anyone else noticed that in three seasons they've had no new members join as freshman and, until last night, no seniors graduate and leave? So when the show started they were all freshman and sophomores, even the captains of both the varsity cheerleading squad and the varsity football team. Really? That's just stupid.
Anyway, what I'm mildly curious about for next season (since they spent the entire season finale not having any kind of plot, which meant no cliff-hangers or suspense for us to care about over the summer) is how large a role the "graduated" characters will continue to play in the show. Will they find some way to keep them in the picture, or will they finally give some of those massively talented second and third-tier characters a chance to sing more than back up? Overall my level of caring is at "shrug," so we'll see if I tune in.
In the meantime, I'd rather watch Smash.
Melissa’s Story
6 years ago
